Children’s Toilets and Bathroom

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Toilets are a basic thing to most of us, a place where we go to undertake an everyday task, a place that should be pleasant but possibly do not give too much thought to.

However, one thing everyone generally does like when using the toilet is privacy.

In early childhood settings, balancing privacy with the need to be able to help young children with toileting and the concept of supervision can be difficult.

Research
It could be assumed that pre-schoolers do not really mind what the layout of the toilets is, what they look like, and whether their toilets have doors or not. But research suggests children do mind.

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Five Reasons to Join Us
1. Marketing

It is prestigious to belong to the OECE. Membership is usually by invitation.  Online applications can be made if you think your service meets the criteria. To be a member a service must have as its first priority a focus on being high-quality for children and families.  It must also agree to follow the standards in the Code of Conduct for ECE Services.

Running a parent survey when you want to do one is simple – we handle it for you and provide you with a confidential copy of the results. We will also cover the cost of the survey.

Promoting your service online to parents is taken care of.  The OECE has partnered with the My ECE website and the ECE Parents’ Council Aotearoa to give members free advertising for their service.  For details directly contact My ECE

2. Professional

Free subscription access to the ECE Newsroom – your service provider member login will let you view everything in the ECE Newsroom

Complimentary access to over 25 years of published NZ and international research – your service provider member login gives you free access to the Research Library and support

3. Management

Management and ECE employment resources and advice will be at your finger-tips 24/7. We have so much available in the service provider area of our website – ranging from templates for policies, guidance on managing cashflow and debtors, staff drug use, negotiating pay with staff, and through to topics such as best sandpit design. 

We will make running a staff survey simple for you.  You can use our specially designed survey.  We collect the results and will provide you with a confidential report of the findings. (50% discount available to service provider members).

4. Representation

Did you know that the OECE meets personally and regularly with the Ministry of Education national team, and the regulations committee and other forums? 

Political leaders and journalists are able to use the OECE to gain deeper knowledge on a topic or issue, and we provide a sounding board for ideas and feedback.

Members have a direct line of communication with Dr Sarah Alexander, to bring to Sarah’s attention and discuss what’s affecting your service and community of children, families, and staff.

5. Value for Money

We are committed to keeping membership prices affordable and providing value for money. 

Membership rates start at just $250 for 12-months. Or join for 2 years for only $350.  For providers with multiple licensed services, the rates reduce per service the more licensed services you operate.  

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FULL REFERENCE: Probine, S. (2024).  Colouring outside the lines: Re-exploring the teacher’s role in visual arts learning in early childhood.  NZ International Research in Early Childhood Education Journal, 26, pp. 14 -29.

ABSTRACT: Teachers can be powerful influences on how young children experience the visual arts. It is often teachers who make choices about when, where, and how children will experience the visual arts in early childhood education. This paper explores an interpretivist, qualitative research project that examined the visual arts experiences of young children (aged 3-4) at three early childhood settings in Auckland, New Zealand. This paper focuses on the experiences and visual arts pedagogies of the teachers who participated in this study. In response to the literature, which suggests that many early childhood teachers continue to experience uncertainty around their roles as teachers of the arts, settings where the visual arts were deeply valued within the curriculum, were purposively selected. The rationale for selecting settings that valued this domain was to determine what factors and choices had enabled these settings to develop a rich visual arts curriculum for children. The study aimed to discover what influences had shaped teachers’ visual arts pedagogies, and how this impacted young children’s learning through the visual arts. The research found that when teachers nurture their own visual arts knowledge and confidence, both personally and professionally, they are equipped to engage authentically with children’s visual arts making and make intentional and creative choices about visual arts curriculum and pedagogy.  

KEY WORDS: Visual arts pedagogy, early childhood education, co-construction, co-artists.

Log-in to read the full research paper below. Or order a pdf copy of the article from the main NZIRECE Journal page.

INTRODUCTION

The visual arts support young children in exploring, theorizing, communicating, and reflecting on their experiences of the world (Brooks, 2017; Richards & Terreni, 2023). Formative visual arts experiences shape children’s identities as learners and creators. Early childhood teachers play a pivotal role in initiating children into the visual arts and fostering positive self-images as art-makers and creative thinkers (Denee et al., 2023). However, confusion persists about what constitutes appropriate visual arts curriculum and pedagogy (Denee, 2022; Lindsay, 2017; 2021). Some teachers hesitate to ‘intervene’ in children’s creative processes, while others overly control activities, which can result in identical artworks (Lindsay, 2017). There are also teachers, informed by sociocultural theories and the associated pedagogies, who have found a place in between these positions. These teachers actively plan for and engage in children’s art making, recognising the importance of ensuring children’s ideas and interpretations remain at the forefront. Developing such practices, however, can be challenging if teachers have had little prior experience in the visual arts or recall negative visual arts encounters from their own educational histories (Denee et al., 2023; Lindsay, 2017).

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